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The Healing Power of Color

“We see color with everything we are. What starts as a signal passing along the optic nerve quickly develops into an emotional, social, and spiritual phenomenon that carries many layers of vivid meaning…The context within which color unfurls its rainbow of symbolism and emotion is history itself.”

– PANTONEⓇ The 20th Century in Color by Leatrice Eiseman and Keith Recker
Photography by Sarah Heaton, Makeup by Emily Y., FENDI Sunglasses from The RealReal, VERSACE color block logo shirt, Book: PANTONEⓇ The 20th Century in Color by Leatrice Eiseman and Keith Recker

I am an unapologetic lover of black…literally all black everything–culture, people, style, but most of all the color itself. Over time, after perpetual comments from my family alluding that the color was “…all that I ever wear,” I thought, perhaps, it was worth exploring. Why do I wear so much black? Working behind the scenes in fashion and events, it always made the most sense. Black is safe, professional, and can literally match anything, so, why not?! Like so many during the pandemic, I’ve had more time than usual to work on myself and think deeply about who I am and who I hope to become. Black has always been my safety net, a shield of protection, and a declaration of sophistication. What I would later realize is that wearing black is often a stark contrast to my colorful personality, creative authenticity, and overall energy. There are so many colors that can soothe and invigorate the boost you need to get through dark and difficult periods in life…and some colors just make you happy (Hello Yellow!). 

I felt like it was time to implement a personal challenge, not to give up black entirely, but to incorporate more color into my wardrobe, and to see if it would have an effect on my overall mood and energy.

My pursuit was inspired by intuitive stylist Susanna Merrick, owner of the Brooklyn-based company, Aura Wear NYC. I listened to her story on Lacy Phillips’ EXPANDED podcast and knew instantly that I had to book a session with her. I was fascinated by her early years growing up in the church discovering her ability to see auras, actual colors, permeating from people indicating their thoughts and emotions, and then integrating her gift with styling. 

My session with Susanna was informative and inspirational! She confirmed that at my “heart center (innate) energy is a mix of Green, Pink, and Magenta.” These are colors that I’ve always been drawn to, but never really incorporated them seriously into my wardrobe. Within the past few years, I’ve been more intentional than ever when it comes to anything that I purchase, especially my clothing and accessories. Now, with Susanna’s help, I’ve implemented the idea of color–what it means, along with its purpose for my needs in this season, and like the seasons, they’re constantly changing. I love a good edit both in my closet and in life. It keeps things fresh, focused, and eradicates the excess.

Here are a few fun colorful investment pieces that I’ve been drawn to lately:

(Clockwise from the top) Gyles & George x Rowing Blazers Sweater (from the Princess Diana Collection), $295, Available at RowingBlazers.com, Proenza Schouler Earrings, $212.50, Available at TheRealReal.com, Marc Jacobs mini The Snapshot Wallet, $130, Available at Farfetch.com,  KIRIN Faux Fur Coat, $1,235, Available at MyThereasa.com, Emilio Pucci High Top Sneakers, $390, Available at TheOutnet.com, CHANEL Jumbo Longwear Matte Lip Crayon in Impact, Available at Macys.com MaryJane Claverol Guayana Bead Embellished Turban, $395, Available at Farfetch.com

Escapism and Newfound Hope: New York Fashion Week Inspires Viewers to Have Fun with Fashion Next Spring

Fashion will never be the same…but in a way, it never is. It’s a constant reflection of our time and where we are as a society. In the midst of COVID-19, as a Cynthia Rowley shirt featured in her latest collection plainly states, “THE SHOW MUST GO ON,” and it did, most of it virtually. Spring 2021 collection semi-virtual fashion week were a mix of video loops, streaming presentation photos, documentary shorts, interviews and outdoor shows, with proper social distancing regulations with scattered seating and and a mix of masked editors.

Earlier in the week, Jason Wu unveiled his new contemporary line with an outdoor show transformed into a “holiday in Tulum,” an island with palms and tropical plants. Hearing the sound of waves in the background made me think of shows like Survivor and Lost. I thought that perhaps this show would represent something hopeful to look forward to next year. Will this nightmare of a pandemic will be over? Will we emerge as if we’ve just been wrecked at sea, ready to start anew…in Jason Wu?

Indya Moore opened the show and it did not disappoint. The colors were vibrant and I LOVED the hats.

Anna Sui presented her signature ditsy floral DIY-inspired looks with extra comfort and the ease of dressing for life (and work) at home. Beauty maven Pat McGrath added her artistic touch in creating a whimsical “‘no makeup’ makeup” beauty look.

“The global zeitgeist always effects fashion and for me this longing for a hopeful spring translates into somewhat classic relaxed clothes but clothes that make me smile. Clothes to have a bit of fun in.”

Collina Strada took us on a literal mental trip to a surreal and colorful world full of 3D animated characters, animals, moving patterns, textures, and models.

Badgley Mischka wisped us away to the places we’ve never been, ” the isles of Greece, the capital of Cuba, the fabled ruins of Mexico, the Garden of Good and Evil…” in colorful gowns and dresses on a deserted estate:

Tom Ford closed the week with a heartfelt message stating, “The global zeitgeist always effects fashion and for me this longing for a hopeful spring translates into somewhat classic relaxed clothes but clothes that make me smile. Clothes to have a bit of fun in.”

Photos courtesy of Tom Ford

However, my absolute favorite show of the entire week was Christian Siriano, an event that he hosted at his home in a lovely outdoor garden space. The top editors were in attendance, socially distanced, and it was reminiscent of what a typical fashion show would look like. Watching from home, I longed to be in attendance, oohing and ahhing at the dramatic gowns, ruffles, puff sleeves, and silhouettes that only a fashion mastermind like Siriano could bring to life…during a pandemic. Every look had a matching mask and the word “VOTE” was plastered over a number of gowns and accessories, but what I loved most, was not only a pregnant Coco Rocha jumping in the pool during the finale, but the song that played, “Supermodel” by Jill Sobule from the 1995 hit movie Clueless (unfortunately it was cut out of the edited version, but I had a blast dancing to it at home).

Video courtesy of Fashion Feed

Harlem’s Fashion Row Reminds Us that #BlackIsTheNewBlack at New York Fashion Week

The distinct sound of the legendary black model and fashion icon Audrey Smaltz as the voice of God, the long standing mentor of Harlem’s Fashion Row’s (HFR) CEO and Founder, Brandice Daniel, opened the 13th annual Style Awards and digital fashion show experience with an overview of Daniel’s dedication to the promotion of black designers in the fashion industry. The retrospective also included commentary from black industry leaders such as Dapper Dan, Jason Rembert, Misa Hylton, and April Walker. Brandice’s dedication to HFR and passion to uplift the black designers it serves was evident in the impeccable production, the pristine focus on emerging talent, and the selection of black honorees who are revolutionizing the industry. 

The Style Awards honored Lindsay Peoples Wagner of Teen VOGUE as “Editor of the Year,”  Kerby Jean-Raymond of Pyer Moss as “Designer of the Year,” Edward Enninful of British VOGUE as “Maverick of the Year,” and Nate Hinton of the Hinton Group as “Publicist of the Year.” Introductions featured appearances by actress Tracee Ellis Ross and VOGUE Editor in Chief, Artistic Director and Global Advisor of Condé Nast, Anna Wintour. 

Photo courtesy of Harlem’s Fashion Row (Clockwise): Lindsay Peoples Wagner, Kerby Jean-Raymond, Edward Enninful, and Nate Hinton.

HFR also showcased three new Spring 2021 designer collections on colorful runways reminiscent of upbeat R&B music videos from the early 2000s (It was fun and vibrant!):

Kimberly Goldson, whose collection focused on the complexities and beauty of black hair and bold metallic tailored suiting:

Brandi Lace Jacket, $398.00, Neko Lace Wide Leg Trousers, $298.00
Limited Edition AMARA Cornrows Sweatshirt Dress, $198.00

Designers Richfresh and Kristian Loren also featured their collections.

HFR also announced that each designer would feature a design in the new HFR x Janie and Jack children’s collection available on October 10th! See a sneak peek below and save your coins now:

Photos courtesy of Harlem’s Fashion Row

Nike, Gap, Inc., and Shea Moisture were presenting sponsors behind the production. Year after year, Brandice Daniel continues to elevate HFR shows to new heights, and a year bombarded by a pandemic, racial unrest, and political uncertainty, was of no exception. You can view a replay of the show on September 19th, sign up here

How Fashion Saved My Life

Photography by Sarah Heaton, Makeup by Emily Y., Gown by Carolina Herrera

I couldn’t breathe, at least that’s what it felt like. Was I having a heart attack? I wasn’t even 30 yet, but there was something in me that just shut down. It was as if my brain was no longer in communication with my body. It was an unexpected and scary malfunction to experience in public on a crowded metro bus in Washington, D.C.. I had just left New York, feeling professionally and emotionally defeated, breaking off a long strand of toxic relationships, and what I viewed to be failed hopes and dreams. I made the decision to move to D.C. for graduate school, lived with my sister, and searched for ways to regroup. I was officially starting over and had so much to learn and unpack. The journey ahead was unexpected. 

While clutching my chest, I saw my sister’s house in the distance and asked the bus driver to keep talking to me as a distraction from the overwhelming discomfort and panic. He asked if he should call the ambulance, I begged him not to and reassured him that I could make it home. I walked in the house, sat down, and tried to gather myself. I took several deep breaths and laid down, hoping to calm myself from what had been a terrifying event. It worked.

The next day I reached out to my therapist to tell her what happened the night before. We had spent a few weeks working through my lifelong battle with perfectionism and disappointments related to my fashion career in New York. Could that be it? I used to ask God, “Why would you give me this passion and desire to work in this industry at such an early age, only for me to get there and have it all fall apart?” I was heartbroken. I felt like a failure. The therapist suggested that I should see a psychiatrist to delve into my episode on the bus to figure out what had transpired. 

Photography by Sarah Heaton, Makeup by Emily Y., Gown by Carolina Herrera, Heels by ASOS

I had never seen a psychiatrist in my life and just the mere thought of seeing one left me feeling embarrassed and conflicted. Was there something seriously wrong with me? Isn’t the psychiatrist reserved for seriously “crazy people?” The doctor was a woman, polished, and poised. She was chic…and of course, I would notice. She began to ask a series of questions, many of which mirrored my experience in therapy. I brought up my history of being sexually violated at the age of four, but had never thought it had any effect because it happened so long ago. I apprised the doctor of my long history of never feeling good enough, upholding unrealistic expectations of perfectionism, and not feeling worthy of self-love or love from others. Of course there were also complex experiences associated with race, gender, and class in America. Behind my vibrant and often infectious personality that many assumed was naturally positive, I was a hurting and often depressed person, who at certain points, questioned their own purpose and will to live. 

The doctor reviewed her notes, nodding, reassuring herself that she knew exactly what was going on. In slightly broken English, she looked up and replied, “You had an anxiety attack. You  must find something fashion related to do in your life. You don’t need to necessarily work in the industry, just find a hobby…something. Fashion is what helped you see beauty in the world. Now that you’re not doing it, you’ve lost one of your primary coping mechanisms.” In that moment I felt an overwhelming sense of calm…it finally all made sense. She went on to explain that some, especially in the early stages of development, turn to various forms of coping to help overcome extreme forms of  pain and darkness for emotional survival. In my case, fashion was my outlet, my art therapy. I would sketch designs for hours as a child and would constantly watch marathons of Lauren Ezersky hosting “Behind the Velvet Ropes” on the Style Network. I would read and thoroughly study any kind of fashion magazine, book, or pamphlet I could get my hands on to learn as much as I possibly could. I was obsessed with the work of John Galliano and Jean Paul Gaultier. It gave me life to delve into this glamorous world of artistry, design, history, and culture that transcended beyond the walls of my hometown in Colton, California. 

Photography by Sarah Heaton, Makeup by Emily Y., Gown by Carolina Herrera

Now that I had some form of clarity, I launched a blog called The Chic Incumbent, where I covered fashion in politics, using fashion as a way to educate myself and others on the women who run Washington. I also included street style and event coverage. I would channel my inner Bill Cunningham and approach random strangers on the street to talk about who and what they were wearing. I had a blast and the blog was really taking off. I attended fashion week shows and events where I was able to reconnect with my fashion family. I could feel my joie de vivre again through my work. Within a three year span I got married (just a private nikah with my husband), gave birth to my first son, moved to the suburbs, and switched jobs. The 2016 election results added fuel to the fire and I no longer had the emotional capacity to continue the blog and shut it down to think about my life and all of the changes that occurred. 

I knew that I was at a higher risk of experiencing postpartum depression because of my mental health history, but I didn’t think it could consume my life. After having my second child a year and a half later, I looked in the mirror and could not recognize myself. Becoming a mother changes you both mentally and physically and the woman in the mirror was someone that I couldn’t believe I morphed into. It was an outward reflection of how I felt inside: sad, resentful, angry, fearful, and operating in survival mode. I had bottled in several years of unresolved emotions, all of which were teetering on a foundation of hurt and shame. The lack of sleep with young children had also taken its toll. There were times that I would be so exhausted that my face would feel numb and I would get the boys ready, do my drop-offs, and go into work as if nothing happened…with a smile. A few months in, my smile slowly crumbled and the facade began to melt away. I struggled more at work, in my marriage, with my family, and in my friendships. Something had to change. 

Over the course of my life, no matter how many times I wanted to give up, God, through someone or something, would give me the strength, a sign, or the resources to pivot and move forward. My first step was to address my relationship with Him. I realized that His love was not conditional. He wasn’t angry with me, He never abandoned me, but was simply helping me along in my purpose. Previously, I had subconsciously determined that I could only be loved by what I did, or by what I produced, the impossible “rules” I followed, or how I made others feel. God wasn’t punishing me because of what I perceived to be mistakes or imperfections. He loves all of us unconditionally. I had not truly grasped and internalized the concept that you could be loved completely for simply being who you are and that in itself is enough…I realize that now.

Photography by Sarah Heaton, Makeup by Emily Y., Gown by Carolina Herrera, Heels by ASOS

Within the past two years, I chiseled away at the 75 pounds that I had gained from pregnancy and mixed my routine with Every Mother and Anowa Adjah’s program to combat my diastasis recti. A friend who I hadn’t spoken to in years reached out and suggested that we meet for morning workouts. We would work out almost everyday together, talk, and share stories. I joined a women’s group, saw my therapist weekly, began doing EMDR to reroute past traumas along with Lacy Phillip’s childhood and shadow meditation work to unblock what was subconsciously holding back my self-worth. I took more time outdoors, jogging along the trail nearby, being present and in the moment with my children, but making sure to carve out time for myself. Slowly the weight, both figuratively and literally, began to slip away. The heaviness of the shadow that had followed me throughout my life began to slowly dissipate and I was able to finally uncover the remnants of my authentic self. 

Fashion has and will always be a significant piece of my authentic code. It has been a God-given inspiration, a beautiful lens of artistry, not merely a surface frivolity that many assign its perceived traits. It’s wearable art that tells a story. One that can accurately reflect how someone feels…or doesn’t about themselves. Through fashion, we subliminally communicate where we are as a society through various silhouettes and color, some of it is even cyclical, often running parallel to economic cycles. It’s an artform that I love, and one in which I feel the most like myself.

My father used to always ask me, who are you? If I was sad or facing a challenge, he would ask this at nauseum. I used to roll my eyes and mumble “Kirsten Nichele Holtz.” He would reply, “That’s right! And don’t you forget it.” He would say it so much that my friends in middle and high school would repeat his phrase in their own challenging times. As an adult, I see how something so simple, yet so significant can empower and impact your life. I also see how it can transform it. 

It’s now time for me to properly introduce myself: I am Kirsten Nichele Holtz Naim, a child of God, mother, daughter, survivor, overcomer, and fashion lover! I am loved. This is more than a fashion moment, this is my life. This is ME. I am so thankful that you are joining me on this journey. Stay tuned for new fashion content, life lessons, and A Fashion Moment, the podcast, launching January 6th. 

Xoxo ,
Kirsten